It’s not only the queen who has celebrated
an anniversary. Shakespeare is having a right old going over all over the UK,
The Globe is featuring every one of his plays with productions from various countries and Amazon.com books is
simply awash with new works on the bard of Avon as though not enough has
already been written in the last hundred years about a man of whom we know
practically nothing. The son of illiterate parents and father of illiterate
children he died at the age of fifty two having supposedly written 37 major
plays, 154 sonnets and epic poetry, ‘Venus and Adonis,’ ‘The Rape of Lucrece.’
Wow! But, apart from six signatures,
three of them from his will, there
has never been the slightest sign of any writing. What happened to his original
manuscripts? How come he retired to Stratford a
fat satisfied gentleman landowner suing people left right and centre and never
ever making mention of his London
life or of his works? A truly amazing body of works needless to say. The
silence speaks volumes.
The silence says William Shaksper of Stratford, who did indeed
exist is, as far as the theatre is concerned, a complete phoney.
So what do
we know about him? We don’t even know that he did attend the school in Stratford although it is
assumed he did and this is the big problem. I have read any number of
biographies and theories regarding our Will and in every one there is a super-abundance
of we assume, we presume, maybe, perhaps, it is thought, we believe, it could be that etc., etc. Nothing
positive except his return to Stratford
and his last will and testament in which he left his second best bed to his
wife. Is this really how a man of supposedly colossal genius would end his
life? Totally uncaring what happened to his works? Especially when he mentions more
than once in the sonnets that his poetry will last down the years. ‘Who will
believe my verse in time to come?’ And ‘When in eternal lines to time thou
grow’st, So long lives this and this gives life to thee.’ Or ‘Not marble nor
the gilded monuments Of Princes shall outlive this powerful rhyme.’ And it
would seem in the sonnets we have a clue as to who the real writer was with the
constant references to unhappy banishment and in sonnet 74 mention of ‘a
wretch’s knife.’ None of this applies to Shakespeare so to whom does it apply?
For more years than I can remember I have
wanted to write a play on the Marlowe/Shakespeare theory and have finally done
it. Bad timing yet again. Should have written it a year or more ago but there
you are, these things come in their own good time. There is nothing new about the
theory. I just wanted to have my own go at it.
There has fairly recently been some medical
doubt about the wound that purported to put an end to Marlowe’s life. If the
poniard struck him above the eye, that is on the temple, it would more than likely
have bounced off. That is where the skull is thickest and a stabbing motion
that short would not have had the force to penetrate. If the stabbing was
inflicted in the actual eye socket the question is would death have been
instantaneous as the coroner’s report states? Interestingly enough I have just
seen a report of a boy in America
who suffered such a wound being accidentally shot by a fishing gun and he has
survived. The x-ray from the side
shows the dart penetrating almost to the back of the skull.
So what did happen in that room in
Deptford? No one really knows just as no
one really knows very much about a man named William Shakespeare except to
believe he was the author of such a body of work in so short a time and with
such a lack of knowledge and experience is to believe in miracles.
No comments:
Post a Comment