I simply cannot understand what the
fascination is in Facebook, and it is obviously universally fascinating as it
is worth billions. Life is short enough without wasting time with messages like
“someone has pasted a photograph of something or other on Facebook.” or “so-and-so
likes the photograph of so-and- so.” Who cares? Someone you’ve never heard of
about someone else you’ve never heard of. Can anyone explain to me please just
what the fascination is? Is this to be the whole future of social intercourse? Facebook,
Twitter, and Texting? Sounds like a firm of solicitors.
Watched a 1965 movie titled ‘Who Killed
Teddy Bear?’ And watched it all the way through despite it being probably one
of the worst films ever made. Little wonder it was never released but is now out
on DVD and Chris bought it. Why, you ask, would we sit through an entire 1965
black and white never released bad bad movie and not give up after the first ten
minutes? Well the answer is quite simple; it stars our friend Sal Mineo. In the
first place the title was meaningless. Our sadistic pervert, stalking a girl,
ripped open the head of a teddy bear and left it on her bed but that is hardly
killing Teddy is it? And why would he do it anyway? I tell you the script had
more holes in it than a dozen colanders. Of course one never saw the pervert,
only parts of him, an arm reaching out to dial the girl’s phone number, a
cigarette being lit, (everyone did an awful lot of smoking in those early
movies), a large pair of binoculars as he peeps at her from
his window. She lives just over the way and is always removing articles of
clothing with curtains open, the lighting very dark, the music sinister but you
knew all along who the pervert was. Oh, boy, it really was a movie of its time
but unfortunately not a good one. Badly directed with lots of jiggy dancing in the
club where the pervert and the girl worked, she as a DJ, these scenes going on
forever, much too long in fact; and endless running at night down the streets
of New York. The director was obviously into disco dancing and had a thing
about running down streets. More moody shots I suppose. At one point the
wonderful Elaine Stritch indicates she has lesbian tendencies and is
unceremoniously and violently rebuffed by our heroine before the scene can get
too juicy. She leaves the building and, surprise surprise, our pervert just
happens to be lurking close by. He has spent the last few hours walking (not
running you understand, these shots have to be lingered over for full effect)
the streets of New York looking into sex-shops, browsing through porn magazines
(he doesn’t actually buy any) and bringing himself on by gazing at saucy
lingerie in shop windows. He calls her name, ‘Laura!’ and, for some reason she
starts to run. The question is a big fat - why? She hears her name called, she
knows the guy, they all work in the club together, he’s a personable young man,
so surely if she was scared of being out in the streets of New York alone at night she would welcome
him being there to walk her safely home. But, no, she panics and runs through
the streets of New York
and he follows, eventually after quite a chase (building the tension you see)
catching up and killing her. Dark moody lighting so you didn’t actually see how
– throttled her I presume. ‘Nother question? Why does he kill her? Silly me! Because he’s a sexual pervert of course
and at some point he has to arrive at the point of no return and become a
murderer. So goes the screenwriter’s thinking. Meanwhile our tough tight-lipped
macho detective who is the paradigm of every clichéd Hollywood detective has
naturally taken a personal interest in the girl (don’t they always?) but is too
thick to ask why Laura, when she was killed, was wearing the girl’s distinctive
fur coat, and the next night in the club it’s all jolly hockey sticks time despite
their associate Laura’s untimely death. Anyway to cut a bad story short, it
ends up rather lamely with our pervert raping our heroine and running away down
the streets of New York for his very life only
to be gunned down by New York’s
bravest. Boy, what a load of crap! Sal was okay though.
Also watched/listened to Sondheim’s 80th
birthday concert; a tribute performed by the New York Phil and a host of
Broadway stars. Our lovely Elaine Stritch climaxed the show with “I’m Still
Here.” What a trooper! What a performer! What an event!